…John Willie I believe…a true great…
Aimee Bender, “On a Saturday Afternoon”
I’ve spent my 18 years of life trying to be okay with the fact that humans fade in and out of each others’ lives. No matter how I think about it, I can’t make it sound romantic or poetic. To those who have already passed through my life and to those who eventually will: I love you. I miss you. The back door will always be unlocked if you ever feel like coming home.
Designed by Psicomana
a friendly reminder:
don’t hang out with people that make you feel bad about yourself
Each designer has a signature piece which represents their whole aesthetic, and in my mind this corset from Alexander McQueen Fall/Winter 1996 is quintessentially everything that Lee stood for. The lilac silk faille corset was covered in a web of black lace and embroidered with beads, inspired by the Victorian age (it was symbolic for mourning) as many of McQueen’s earlier pieces were. Its sharp high neck obstructed the view of the model and had a look as if it belonged to the villain of some twisted fairytale, making the piece raw and unapologetic, but also added a kind of melancholy. This piece is alluring but not particulary conventionally beautiful, which is one of the things that I admire about McQueen’s work; he has this innate ability to find beauty even in the darkest of places, to give ugliness a new kind of attraction. This artistic eye lead McQueen to create an unmatched legacy of haunting collections that will go down in history. image via.
Jerry Hall 1995 - Thierry Mugler dress